Showing posts with label christian vasquez. Show all posts
Showing posts with label christian vasquez. Show all posts

2.04.2009

Simply Appetizing

Not my fingers!

Namets! can be purely explained as a sit down meal in a chic restaurant along the metropolis. It has an appetizer, a main course, a few entremets, and a sweet dessert. It has a good potential to amuse the mainstream audience. It is a love story to say the least with a touch of humor. If Namets! is the entire menu, I have to say that they have some delightful entrees.

Jacko (Christian Vasquez) gets bankrupt after losing a bet in a cockfight. He loses ownership of Puccini’s, an Italian Restaurant to a charismatic man famously called Boss Dolpo played by Peque Gallaga. Luckily, the hushed Dolpo loves food so much and was delighted with Jacko’s cooking skills. He was hired to be the cook of the restaurant in-the-making. Meanwhile, Cassie (Angel Jacob) is hired to be the food consultant. It surprises Jacko as Cassie is his former girlfriend, making him think that Cassie is making her sweet revenge.

Namets! is shown in last year’s Cinemalaya Film Festival. I was not able to watch any of the films in competition unfortunately as most of the films I wanted to see were all sold out. That is great to hear though. Namets! shows a pretty good grasp on how to make films concerning food with dynamism and originality. Its take on how to make a film more appetizing is incredibly seen. There are supplementary sequences oblique from the core story showing the Negrense Cuisine evolution. It also shows the proper way of eating the famous Bacolod Chicken Inasal. And of course, Ilonggo’s serious craving for Napoleones, a to-die-for glazed pudding.

Aside from the qualities of the film and the food, I would certainly agree with how the characters are molded within the story. Like what I have said in my Yanggaw review, my father is from Bacolod. He grew up in Silay for most of his childhood. We always go there for a fine vacation visiting our relatives. Jacko’s character is so true. I think its innate in most rich probinsiyanos with the way he lives. He changes his mind from one course to another until he ends up doing nothing. Most of my cousins are like that and it doesn’t matter because they have wealth and would have a back-up just in case. Their love for food is so serious and I certainly have lived up to this. Whenever we go to Bacolod, we always eat out and it is a must that the food is a hundred percent good or else. And why can’t I deprive to eat in that place? Their dishes are all sumptuous and I agree that the best time to eat La Paz Batchoy is during the afternoon.

Cassie’s character is the contrast of Jacko. She is independent and is well organized. Has a clear position in her life and has goals that she wants to accomplish. She appears to be rakish in her actions taking in consideration that she studies at Le Roche Culinary in Switzerland. All of a sudden, when love is again re-sparkled, she slows down a bit and savors the best thing life can offer. There could be a revenge factor on the first look with how she corresponds to Jacko. But her heart does not allow her to do so.

Namets! is a technically superior indie film. The interiors of both restaurants are laudably decorated. The music of Vince de Jesus is enchanting. The director Jay Abello and his writer Vicente Gracia Groyon has made an enticing film. I think Jacob is not an Ilongga but her accent will very much pass for an Ilongga socialite. And I commend her on how natural she gets into her character. Vasquez is well likely to play the part as he is a true-blooded Ilonggo.

The way to know Ilonggos are through food. I remember talking to my Auntie when she makes her classic Molo Soup. I will always ask her how she makes it. She will ask me back, what did you taste in the soup? And I will answer every ingredient I have tasted. Then we will go through the process and the secret ways of doing it until I realize that there is no secret but just common sense. Namets! is basic. I enjoyed watching it not because of acquired taste or cultural biases but it is because it is simple and pleasing to the senses.



Charlie Koon's Rating:

10.24.2008

Mishaps and Miscasts

I think I've gone insane

Every film has its strengths and weaknesses. At times they qualify on certain aspects and wane on others because of elusiveness. Ambitiously persistent, the character Sisa is brought again in the limelight. But its light has faded and turned dim. The historical perspective lacks precision. Its elaborate set design is a bit quizzical. The set of clothes looks like a tailoring made for an amateur high school play. Its deliberate use of theatrical style did not correspond to the very aim of the film which is characterization, centered on human emotions. The characters in the film come out as embellishments and caricatures. This material is so grand which needs to be backed by a good financier. But why not give all you got if they believe in their undertaking.

Narcisa “Sisa” Dalangin (Jodi Sta. Maria-Lacson) is a young Filipina lass living during the Spanish Occupation. She lives with her grandmother Ising in a tiny hut. Pedro Magbuhos (Carlo Maceda) tries to get Sisa’s empathy. But Juanito (Christian Vasquez) is more esteemed to seize Sisa’s heart. Things changed when Pedro disclose a hearsay to the Guardia Civil that Ising is a member of the cult group Confradia. This prompted her to be imprisoned but later dies due to an accident. Soon enough, Sisa was caught by Pedro in the woods and was beaten and eventually she was raped. Then, they were married for that matter and had two children: Basilio and Crispin.

I am quite confounded with the casting of some characters. Padre Damaso (Dido dela Paz) is supposed to be pure Spanish. That character is a complete bastard, but he must possess this imperative charisma in a wicked way which dela Paz has failed to recognize. Dona Consolacion (Aleck Bovick) has achieved a circus-like characterization in terms of makeup but her performance has tendencies to be over-the-top. The director must have guided her in delivering a bitchy attitude with a more humanitarian bearing. Maceda as Pedro is wearing a tight fitting pajama in the entire film which is deeply unappealing. It is just goofy in a way to watch period films with misconceived understanding of accurate clothing. The accessibility is more prioritized than suitable casting. But it is all true that bad casting ruins a great aspect of the film’s authenticity and sincerity.

Sisa’s character is indeed the most vibrant character in the novel Noli Me Tangere (Touch Me Not). Aside from her surname, there is nothing new to my senses offered in this film. Andaluz’s Sisa lacks vision to give a new perspective of Sisa that will mark his directorial debut. The execution is nothing triumphant. It has a certain feel of dreariness. At some point, you might suspect the directors’ lack of confidence over the material itself. Filipino Period Films must enable to convey or let a feel to the audience of a certain degree of authenticity. It did try to experiment with its editing technique to make it more contemporary and appealing to the youth but it is not careful with its function. That is why its result looks cheap and gimmickry. Its zoom lens is all used up just to give some spice to each scene but has not achieved a positive effect that it purportedly put across. Instead, it gives a severe confusion with its technique.

Something that is right in this film is no other than Sta. Maria-Lacson herself as Sisa. I could feel her endeavor to rightly portray a delicate character. Sisa lost her reason and state of mind in the end, indeed. But it’s her heart that is most seen. She made us understand the significance of her plight and her passiveness. Her acting is not perfect but it’s most favorable I have seen in recent years. And she is an attractive Sisa. This makes me wonder of the implication of the controversial confrontation scene between Rizal and Sisa. Jose Rizal knows Sisa during childhood. Rizal knows that Sisa did have a happy life. Sisa is with her lover contrary to what is narrated in the story and in the film. Although the confrontation is a bit staged, Rizal answers her back that Sisa will forever be in the heart of every Filipino.
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Charlie Koon's Rating:
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